Flying Over Ruins: a synopsis
Flying Over Ruins is a portrait of two of the most remarkable marriages of the 20th Century – and of the period in the late 1930s when their fortunes intertwined.
Charles Lindbergh, heroic aviator, the most famous human being on the planet, and his wife Anne, as sensitive as she is courageous, a first-rate writer in the making, seek a new life England in the aftermath of the murder of their first child.
They already know Harold Nicolson, who’d been a guest of the family in the States when he was writing a biography of Anne’s father. Now they’re destined to fall under the spell of Harold’s wife too: Vita Sackville-West.
Their arrival coincides with the revival of Harold’s ambitions as a statesman – and, for a while, his friendship with Charles is advantageous. But this proves a double-edged sword as Charles, naively, accepts invitations to visit Berlin and allows himself to be feted by Nazi Germany; and when he allies himself to the pro-Appeasement faction back in England, he helps throw Britain’s foreign policy into disarray.
As a result, Harold’s career soon lies in ruins. He can console himself that he’s been highly influential in Anne’s emergence as a writer of real talent; and he rediscovers his love, unlikely as this may seem to outsiders, for Vita. Anne and Charles, meanwhile, are drifting apart.
All the source material for Flying Over Ruins is already in the public domain; but no-one has put the material together in quite this way before – and there are genuinely new perspectives here. For instance, Lindbergh’s role in the Munich crisis will come as a surprise to many.
But as we see as our narrative unfolds, when Charles preaches about the invincibility of German air power, the nation listens… and his arguments are a major factor in emboldening the Cliveden Set. Similarly, Harold’s role in pre-war politics is almost always ignored: he’s far better known these days as Vita’s husband. But he’s a witty and colourful character in his own right – and Flying Over Ruins aims to show him at his compelling best.
At the outset of the book, the Lindberghs are installed in Harold and Vita’s Long Barn property; and the supremely well-connected Harold begins introducing Charles to all the people who matter, including royalty and the political elite. Along the way, he tries to co-opt him to the side of the foreign policy hawks warning of a growing German menace.
But Charles, much to his mentor’s chagrin, drifts towards allegiance with Nancy Astor – no friend of Harold’s. Coincidentally, despite several barnstorming speeches in The House, Harold’s star begins to wane.
Both men are damaged, professionally and personally, by events as they unfold – and have every reason to feel disillusioned. There’s a catalogue of failures here, some darkly comic (not least the Lindberghs’ Berlin trips), others poignant. Yet there’s resilience here too: Harold, outmanoeuvred, finds consolation in a new understanding with Vita; Charles, his naivety now cruelly exposed, heads back home, defeated in Europe but ready to meet turbulent new challenges in Washington.
As their story heads towards an elegiac conclusion, we begin to realise that history will eventually prove both men right, though in very different ways.
But Charles and Harold aren’t the whole story. Though they give the book much of its narrative structure, Anne is its beating heart. She was one of the most remarkable women of the age, celebrated for her role as co-pilot and navigator on Charles’s more sensational expeditions. Indeed, we’re party to one of these as they seek to fly over the ruins of all the world’s ancient civilisations (thus the book’s title) in one round trip before following Alexander’s route to India, where Charles meets one of his heroes, the mystic writer, Francis Younghusband.
In the opening chapter, Anne arrives on these shores still haunted by tragedy – the kidnap and murder of her first son in the so-called Crime of the Century. In England, she finds herself once more; and, encouraged by both Harold and Vita, begins to emerge as a writer of real talent.
In particular, we focus on the evolution of the acclaimed “Night Flight from Bathurst” chapters of Listen! – a book destined to become an instant bestseller.
More people should know about Anne Lindbergh – her story is an uplifting one.
In summary, Flying Over Ruins is a fictionalised account of a true story, as-yet-untold in this detail, about two marriages, four extraordinary people – and the ways in which they each see the world. Sensitively derived from the diaries and letters of the four main characters, it’s also a book very much about a time and a place, evoking Kent and London during a vividly intense period in Britain’s history.