In praise of the grey velvety sinter

“Ferber once remarked casually, that nothing should change at his place of work, that everything should remain as it was, as he had arranged it, and that nothing further should be added but the debris generated by painting and the dust that continually fell and which, as he was coming to realise, he loved more than anything in the world. He felt closer to dust, he said, than to light, air or water. There was nothing he found so unbearable as a well-dusted house, and he never felt more at home than in places where things remained under the
grey, velvety sinter
left when matter dissolved, little by little into nothingness. And indeed, when I watched Ferber working on one of his portrait studies over a number of weeks, I often thought that his prime concern was to increase the dust.”
ferber
Concerning absolutely we should say, irrefutably, if it pleases you and fearing not one word of contradiction, Ferber

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